Plastic Soldier Review: BMC Korean War Winter Battle Pack, Part 2: US Soldiers

 In my previous post, I said I would split my review of BMC's Korean War Winter Battle Pack into separate parts for each set of figures; the first set of figures from the battle pack that I will review will be the US soldiers.

 

Overview:  These figures depict Korean War era US forces, either US Army or Marines in winter gear typical of the early part of the Korean War.  As they are in winter gear, they would be most appropriate for the winter of 1950-51 (including the Battle of the Chosin Reservoir).  By November of 1951, lines had stabilized to a war of positional warfare, after which time most soldiers tended to leave behind most of their heavier equipment like the entrenching tools and field packs that many of these figures are wearing.  In addition to depicting US forces, they can also be used for US-backed UN forces from that conflict; several countries in the coalition, including Colombia, Turkey, and Ethiopia were supplied with US uniforms and equipment.

They are primarily armed with M1 Garand rifles, but there is also a figure with an antitank weapon (either a bazooka or a recoilless rifle), a squad leader figure with an M1 carbine and M1911 pistol, and one figure who has a pineapple grenade on his webbing.

They appear to be wearing the M1948 parka (or its Marine equivalent), tall lace-up boots (possibly either shoepacs or the "Mickey Mouse Boots" issued to Marines), trigger finger mittens, and M1 helmets (both with and without covers).  Some figures have additional gear, including the squad leader with a binocular case around his neck (and wearing a pile cap under his helmet) and a rifleman who is wearing a poncho or blanket over his parka.

Sculpting:  These are very bulky and hefty figures, even when compared to other figures in winter gear.  Many of the reviews I have read or watched have criticized these figures for being oversized or out-of-scale, but factoring in the larger 60mm figure scale and the bulky quality of real-life winter equipment, these don't seem all that out-of-scale to me (I've been using Osprey's Men-At-Arms 561 for reference, which covers the US Army and Marine Corps), and in Korean War-era winter gear both Army soldiers and Marines have a similarly squat and bulky appearance in pictures from that conflict. 

That said, I must say the detailing of the equipment and other features like facial expressions is nothing short of superb; I really like the small details they've paid attention to, like the ragged edge of the one soldier's poncho or blanket, or how you can see the earflaps from the squad leader's pile cap even though he's wearing his helmet over of it.  The poses are also really well-done, with this set capturing the body language of the figures huddling in the cold.

Note the ragged edge on the bottom

About half the figures have full gear like this, the other half just have a belt with ammunition pouches and canteen

 

Their bases can be painted as dirt, sand, or snow, and are not as detailed as TSSD bases but more detailed and less abstract than Airfix bases.  Unlike Mir figures, kneeling figures in this set have a base.  

Molding: The set is molded in a dull green, fairly hard plastic.  Some straightening of the rifles was needed, mostly with the carbine, but was not as severe as some of the TSSD figures I've seen.  There was almost no flashing, and an almost-invisible mold line.  None of the parts came broken off, and there were no other defects. 

The color these figures are molded in is somewhat darker in real life, and fairly similar to the classic "green army men" shade of green

Note how some of the rifles are bent, as this picture was taken pre-straightening

The models were cast in multiple parts with separate arms; as a result, there was a noticeable gap in the joint between the arms and torsos of these figures, but when painted that gap mostly disappeared (also, molding them this way meant that they didn't have the infill I noticed on the Weston figures I reviewed). 

Selection:  This set comes with 6 riflemen, a squad leader with a pistol and carbine, and an anti-tank gunner; perhaps a larger group would have included a machine gunner, a figure throwing a grenade, or a figure with a submachine gun but overall this set makes for a convincing early-war squad.

Scale: Like I said before, these figures are large and bulky but not unrealistically so, especially after they've been painted.

In comparison to a Weston British WWII infantryman

L-R: BMC soldier, TSSD Greatcoat German, TSSD Red Army rifleman (with greatcoat), TSSD Red Army rifleman (with telogreigka)

 

Overall: This is a superb set depicting US soldiers during "the forgotten war"! 

Plastic Soldier Review: BMC Toys Korean War Winter Battle Pack, Part 1: Intro

 This set is a BMC-made reissue of a set of Korean War-era toy soldiers originally produced by CTS (Classic Toy Soldiers); supposedly, they were going to make a whole series of Korean War-themed figures, but so far they have only made three winter-themed sets of soldiers from that conflict; one of US troops, one of North Koreans, and one of Chinese.  They have made a number of sets with these figures in varying quantities; the set I bought for review is a 24-figure "sampler pack" featuring one of each pose: 8 US, 8 North Koreans, and 8 Chinese.  Sets consisting of 16 US troops, or 16 North Korean and Chinese troops are also available.  Reviews of the figures themselves will come in three parts, starting with the US troops, followed by Chinese, then North Koreans. I can, however, review the packaging in the intro to this review:

Packaging: The set comes in a plastic bag with a folded cardboard hanging tag on top.  In addition to the usual information, there is also a note on how to straighten out any bent parts using hot then cold water.  There is no history or painting guide, however.  The plastic bag is fairly roomy; while there were some slightly bent parts, they weren't as severely bent as some of the Weston or TSSD figures I've bought, which may have been due to the less-cramped packaging.

 

Left to Right: US soldiers (in green), North Korean soldiers (in tan), Chinese soldiers (in butternut)

Up next: Part 1: US figures

 Plastic Soldier Review: Steve Weston Toy Soldiers WWII D-Day British Infantry

Overview:  This set is a set of 12 British-outline infantrymen, with 6 unique poses and two figures in each pose.  The figures depicted are equipped with 37-pattern Battledress and webbing, gaiters, and ammunition boots.  While most figures have the "Brodie" helmet (both with and without netting), the Sten gunner appears to have a "Turtle" helmet with netting and scrim.  

Left to Right: Helmet with netting, plain helmet, turtle helmet with scrim

 

They are equipped with Sten guns, Thompson guns, and Bren guns, Number 4 Enfield rifles, and grenades.  It is described as a set of D-Day British infantry, but is also suitable for much of the Northwest Europe campaign of 1944-45 outside of the colder winter months, including other events like Operation Market Garden and Operation Varsity.  If the figure with the Sten gun and turtle helmet is removed, then the set can be used for the latter stages of the Italian campaign, as well.  In addition to depicting British troops, these can be used to depict other Commonwealth or Allied troops with appropriate insignia or other details, including Poles, Canadians (if their uniforms are painted the appropriate "Canadian Battledress" green), New Zealanders, South Africans (as long as they're "tabbed"!*), Dutch, and Belgians.

This set was made in the past by the UK-based Steve Weston's Toy Soldiers, who have apparently stopped producing their own figures and now just sell figures made by other manufacturers; as such, its current availability is a "while supplies last" situation.  As far as I can tell, this was their only WWII-themed set; all other figures I've seen made by them were old-west themed.

Sculpting:  I find the sculpting quite good, with the the folds of the uniform fabric being particularly well done; I like how they depict the way the trouser legs on British battledress blouse over the gaiters.  The figures appear somewhat heftier than their Airfix and Mars counterparts, but it's less noticeable on-camera than in person.  

 One issue this set has with the molding is that there's a significant amount of "infill", or a solid blob of plastic between the Sten and Thompson gunner's weapon and body, but with those poses this was unavoidable unless the manufacturer did something like mold the figure's arm as a separate piece.

They're depicted with 37-pattern webbing and pick-mattock entrenching tools, representing an intermediate amount of equipment compared to Airfix's "skeleton order" and Mars' "battle order" with full packs. 

Left to right: Weston, Mars, Airfix

Unlike the Mars infantry, but like the Airfix infantry, kneeling figures in this set come with a base. 

Of the 3 sets I have of British infantry in battledress, I think this set does the best when it comes to poses; they look natural and dynamic, without looking overdone and not having any of the balance issues I had with the Mars British infantry.  Like Toy Soldiers of San Diego's figures, these figures have detailed bases depicting dirt or sand, compared to the plain bases on the Airfix and Mars sets. 

 That said, I do think Mars did a better job when it came to depicting helmet netting.  On the other hand, I particularly like how this set depicts the soldiers' helmets with the chinstraps pulled over the brim of their helmets.  One blog review I read thought these figures' helmets looked oversize, but to me they looked proportional.

Molding:  The set I got was molded in a tan plastic; they also made a run in a greener shade as well.

I'm not sure if it was due to the molding or the packaging, but when my set arrived, some of the rifles and Bren guns were severely bent, and required a lot of straightening with alternating hot and cold water; not a deal-breaker, and nothing was broken off, but worth keeping in mind.  There was almost no flashing, and a nearly-invisible parting line.

Packaging:  The packaging is quite basic, in the form of a plastic bag with a folded cardboard hanging tag.  No painting guides or background information is given, but the label is somewhat eye-catching, and I do like the D-Day map design.  The figures were packed in fairly tight, which may have contributed to the bent weapons on some of the figures.

Selection:  The set comes with 2 Bren Guns, 2 Thompson Guns, 2 Sten guns, and 6 Enfield rifles, making it a bit SMG-heavy.  I'm not sure how common it would have been for there to be both Thompson and Sten guns in the same section, but those figures could be swapped out to depict an earlier or later-war infantry section.

Scale: The figures generally scale well with TSSD figures, but seem a bit oversized and heftier compared to Mars or Airfix figures.  Like with the TSSD figures, the raised bases they are on seem to emphasize their size difference, as well.

L-R: TSSD, Weston, Airfix

L-R: Mars, Airfix infantry, Airfix para, Weston

Overall: Overall, I found this set to be well-made with plenty of character, and I wish Weston had been able to make more sets like these.  If you are into collecting or painting toy soldiers, I'd highly recommend this set!

*In WWII, only volunteers could be made to serve outside of South Africa; those who chose to do so wore orange cloth tabs on their uniforms (usually on their shoulderboards) to depict this volunteer status.

Update:  I emailed the manufacturer of this set a link to this review, and got this reply from them (posted with their permission):

Hello Luke,

An interesting review - which I could have done with 10 years ago!

Bendy weapons: Our figures, along with those of TSSD, Paragon, Austin, Blackcat Miniatures, etc whilst all being sculpted by our own separate sculptors were all produced, at the same factory in China, using a hybrid Polyethylene which give a greater detail than the polystyrene used in the model kit type figures of Dragon, Masterbox, etc - polystyrene is obviously what is used in model kit manufacturing. Unlike the latter, ours come out of the injection machine red hot are dropped into bags and then sealed with the header cards, which sometimes causes the bendy weapons that you mentioned, as they are packed and compressed into packing cases all in one smooth production process. 

TSSD, Paragon, Austin, Blackcat Miniatures all carry mention of dipping the weapons into hot water (plastic has a 'memory', so should revert to shape if not a little gentle massaging returns them to straightness and dropping in cold water should retain that shape). For some reason, that info was missed out on my own header cards. 

Not being any kind of Military historian, I employed an ex-Armed Forces person turned sculptor to make my Master figures, hence the correct detail - and yes, to get away from the 'blocking' between the arm and the weapons would have required a separate arm, all at additional cost. Many, many plastic figures suffer from this.

Scale is what Americans refer to as the 'new 1/32', it's actually 56mm and was done to match the size of the superb Conte WWII range that he originally produced in soft vinyl - with very bendy weapons that the paint could flick off!

Kind regards,

Steve Weston.

 

Love Actually: A Post-Mortem

 I watched Love Actually for the first time the other day (a thrift store was selling the DVD for 2 dollars); one of the reasons I bought the DVD was because it seemed to have all the right ingredients: written and directed by Richard Curtis (part-creator of Blackadder and Mr. Bean) and featuring an all-star cast with serious acting and comedy prowess (including, but not limited to, Bill Nighy, Emma Thompson, Alan Rickman, Rowan Atkinson, Keira Knightley, Liam Neeson, Hugh Grant, and Martin Freeman); and yet, I found myself unable to watch the film in one sitting, and later on found out that Love Actually has only a 64% Rotten Tomatoes rating.  My first thought after watching the film was "What went wrong?  How did a film with such a promising cast fall so short of my expectations?"  After a few days' reflection, here is how I think the film went wrong:

• Too many characters and subplots

AKA Syriana syndrome; this is perhaps a bit specific for me, but generally I don't like it when a work tries to follow too many different plot lines, especially when it keeps switching back and forth between them (I stopped reading the first Game of Thrones book about halfway through for this reason).  I have seen works that manage to do one of the two, such as Guy Richie's first two films, which only have only 2 or 3 major plot lines (In Lock Stock and 2 Smoking Barrels it's the card game, robbery of the weed growers, and theft of the antique shotguns while in Snatch it's the diamond theft and boxing match), or some films in which each subplot is almost a self-contained short film within a film, such as Night on Earth, Four Rooms, and Mystery Train, or James Michener and Edward Rutherfurd's generation-spanning books, which treat each generation living in the book's setting as a short story within the overall arc of that city or region's history.  That said, I did enjoy works like The Stand and It which manage to do both things at the same time successfully, but Love Actually wasn't one of those works.  Also, the subplots in Love Actually don't seem to cross over or tie together all that much compared to those other works.

• Slow pacing

The film, especially the first half, seemed too slow-paced, with a pace ranging from "a bit slow" to "interminable".  One of the ways Guy Richie's works were able to balance those simultaneous plot lines was by having the plot advance at a frantic pace, but in this film it felt like I was watching it at 2/3rds or even half speed.  The pace of the second half does pick up, but it still feels to me like this could have been edited to about 3/4 or even 2/3rds of its current length.

• Rowan Atkinson was severely under-used 

Apparently, it was originally planned for Rowan Atkinson's character to show up and cause problems in everybody's storyline, but they cut all but two of his scenes from the film.  Not only would keeping him have (probably) made the film much funnier, having him in all the scenes would have contributed to making it feel like all of the subplots were more interconnected than they were. I also find it hard to believe that they in a film this overly long and slow-paced, they cut out most of the scenes featuring the actor with possibly the best comedy potential (that said, even keeping him in might not have been guaranteed comedy gold; while the parts he is in are quite funny, they're nowhere near the scene-stealing performance he gave in Four Weddings and a Funeral as the gaffe-prone clergyman).

• Tonal inconsistency

Some of the sequences were quite risque, others felt like they were from a family film, some felt like they were from a melodrama while others felt like they were from a zany comedy; all in all, the whole was less than the sum of its parts.  

That said, this wasn't a terrible movie, or even really all that bad, just a disappointment; given the cast and crew, it should have been an A, but instead ended up being around a C+ if I was grading it (and given that I'm writing this analysis, I suppose that in a way I am grading it).  That said, I think a part of why this film fell flat for me was because it was a romantic comedy, a genre I don't really watch all that much in general; the only other romcoms I've seen and liked are either ones that could be considered classics or semi-classics like When Harry Met Sally or Sixteen Candles, or films like My Big Fat Greek Wedding (which was as much a clash-of-cultures/fish-out-of-water comedy as it was a romantic comedy).

Plastic Soldier Review: Airfix 54mm British Paratroopers

 

Overview: This set is a reissue of an original Airfix figure set from 1972, depicting British paratroopers in WWII (although, if you paint their berets blue-grey, they can also be used to depict Polish paratroopers of the 1st Independent Parachute Brigade).  They wear either the British paratrooper helmet or beret, the much-coveted camouflage "denison smock" (also worn by scouts and snipers), and 37-pattern webbing and battledress trousers with gaiters and ammunition boots.  They are equipped with Number 4 Enfield rifles (some with scopes), Sten guns (the regular "plumber's nightmare" infantry variant, not the paratrooper model with a wooden stock and bayonet mount), or Bren guns.  Like many Airfix figures, they're just equipped with"skeleton order' webbing, lacking field packs, entrenching tools, or other heavy equipment.

Left: Airfix paratrooper, with "skeleton order" webbing Right: Mars British infantry, with "battle order" equipment

They are suitable for the Northwest Europe campaign of 1944-45, where they were used in 3 major operations: Operation Overlord (the Normandy Invasion), Operation Market Garden (The unsuccessful attempt to secure a series of river crossings in the Netherlands), and Operation Varsity (the crossing of the Rhine).

Sculpting: For a set from 1972, the sculpting holds up really well, even by today's standards; back then, things like there being a visible mesh pattern on the figures' scrim scarves must have been considered phenomenal.  The equipment, faces, and poses are quite well done, with only a few complaints:

• I wish the Bren gunner was depicted firing his gun, not just standing around with it
• The bayonet seems a bit short and thick compared to the real thing
• There are quite prominent ejector pin markings on the figures' upper backs
• The helmet netting smooths out at the top of the helmet

 Molding: The figures are molded in a fairly hard plastic, which makes some parts (particularly the barrel of the Sten gun) brittle and prone to snapping off.  That said, flash was kept to a minimum.  Airfix used the same material and color for both these figures, and their regular British infantry, which gives the two sets (when unpainted) a unified appearance:

Packaging: The set comes in a plastic bag inside a cardboard box with a reprint of the original 1972 packaging artwork, showing the figures storming Arnhem Bridge.  Meanwhile, the back features a painting guide for the figures, and images of every pose in the set.  The packaging did a good job protecting the figures, with no bent or snapped-off parts.

Selection: According to the packaging, the exact number of figures in each pose may vary; the set I got came with 1 each of the officer and radio operator, 3 each of figures running with rifles and standing firing rifles, and 2 each of every other pose (sniper firing while kneeling, Bren gunner, Sten gunner throwing a grenade).  I would have liked them to have possibly made another pose (like a Sten gunner firing) instead of having 3 of the same pose in each set, but in the balance I'd say this is a good selection of different poses and makes for a convincing unit.

 

Scale: These figures scale well with Airfix British infantry, but are a bit undersized compared to Mars or Weston British Infantry.  Naturally, they would appear very undersized compared to 60mm-scale infantry.

Left to right: Mars infantry, Airfix infantry, Airfix para, Weston infantry

Overall: For a set from 1972, this stands up really well, even against more recently-tooled figure sets.  This set is a true classic from Airfix!

Plastic Soldier Review: Toy Soldiers of San Diego WWII Greatcoat Germans

 

Overview: This is a set of 16 WWII German soldiers in greatcoats made by Toy Soldiers of San Diego in 60mm scale.  The set has a somewhat ambiguous timeframe, given that the soldiers wear early-war uniform items like M35/40 greatcoats, helmets, and jackboots, while also being equipped with an MG42 machine gun and a sniper with an M43 cap (more appropriate for a late-war look), making the set most appropriate for a post-Stalingrad scenario on the Eastern Front (up to and including Berlin 1945), or a Battle of the Bulge scenario in the Western Front.  If you remove the sniper and MG42 gunner, then this set becomes suitable for earlier-war situations like the Norwegian Campaign of 1940 or the later stages of Operation Barbarossa in the winter of 1941/42.  I feel like they should have either included an MG34 if they wanted to go early-war, or have late-war uniform features such as M42 helmets and coats, ankle boots with gaiters (or felt winter boots), and helmet coverings like rope netting or chicken wire which typified late-war troops.

Sculpting: Despite my nitpicking of the temporal accuracy of this set, I must say that the sculpting I have seen on this set is second-to-none; from the soldiers' facial expressions to the way things like their coats and scarves look like they're flapping in the wind, the details of this set is truly amazing (down to there being hobnails on the undersides of the boots!).  One thing about this set that truly stands out for me is how they accurately depicted each soldier's gear; apparently, no two German soldiers ever wore their kit the same way, and this set shows that off accurately.  Also, unlike most other figures I have bought, these soldiers come with quite detailed bases, with each figure looking like it's standing on a pile of rubble.  Indeed, the only real complaint I have about the sculpting in this set is that the stick grenades some of the figures have stuffed into their belts are much smaller than the ones that are being thrown.

Note the variation in what gear each figure has, and how each figure wears it.

Note how the coats and scarf look like they're flapping

Compare the size of the grenade being thrown with the ones in their belts

 

 

 Molding:  The figures are molded in a very soft plastic, making it possible for such phenomenal detail to be included, but this comes with the drawback that when I got them, some parts (generally rifle barrels) were heavily bent.  This was relatively easily corrected by soaking the bent parts in hot water until they straightened, then soaking them in cold water to keep them in the desired shape (although sometimes multiple treatments were required).  While there was generally little or no flash, on some figures there was some rippling/pooling near where the figure was cut off from the sprue (although it's generally difficult to see once the figures have been painted).

Packaging: For such a high-quality set, the packaging is very basic, just consisting of a plastic bag with a folded cardboard label.  I think this is part of why they arrived in the condition that they did; the plastic bag offered no real protection for the figures, in addition to keeping them packed quite tightly together.  The label has basic information about the product, but no historic info or painting/modelling guides.

Selection: The set comes with 2 figures in each pose, making for a total of 16 figures.  In total, the set has the figures equipped with 4 Mp38/40s, 2 Mg42s, and 10 Kar90ks (including the grenade-thrower, sniper, and casualty figures), making for a convincing infantry squad (although I think I would have preferred it if they replaced the casualty figure with either a spotter for the sniper, or an assistant machine-gunner).

Scale: At 60mm, these are larger than the standard Airfix 54mm figures, but not overly so; I think part of what kind of offsets the size difference is that the figures are in greatcoats, so part of these figures' bulkiness can be attributed to them wearing those heavy coats compared to the temperate-weather uniforms being worn by most other figures.  They are quite large compared to Mars' Red Army infantry, but I think that's more of a case of Mars making their Red Army figures undersized rather than these being oversized.  That said, they do scale much better with TSSD's own 60mm scale Red Army figures.

 

Left to right: Airfix British infantry, Mars Red Army infantry, TSSD Greatcoat German, TSSD Red Army infantry

Overall: Despite my nitpicks about the accuracy, I must say that this is a truly outstanding set, with some of the best sculpting I have ever seen.  In addition, sets of soldiers in winter gear in this scale are somewhat rare, so this set is a must-have for anyone wanting to depict winter combat.

The Shining vs. The Shining

 Thoughts from someone who's a fan of both King and Kubrick

I'm both an avid reader of Stephen King's works, and an avid viewer of Stanley Kubrick's films, so it's quite natural that I'd eventually hear about the controversy over Stanley Kubrick's adaptation of the Stephen King novel The Shining.

Much to my surprise, the room didn't immediately burst into flames when I put these next to each other...

 

I'd say that overall, when it comes to film adaptations of books, I'd rather have a loose adaptation that makes for a good standalone film than a super-close adaptation that makes for a mediocre or poor film.  Also, both mediums have their own strengths and weaknesses, and what works well in print might not translate well on screen (or vice-versa).  Indeed, many of the most iconic scenes in the Kubrick adaptation of The Shining weren't in the book, while many scenes in the book that I liked (including the fire hoses attacking Danny like snakes, or when Danny is playing in a concrete pipe in the hotel playground and hears something scratching and crawling around in the pipe with him) would have been either difficult to pull off special-effects-wise, or would have been confusing on screen.  Also, it must be kept in mind that films are meant to be viewed in one sitting, while books can be read on-and-off, so a lot of content has to be cut for time as well.

This wasn't in the book...

Neither was this...

In the book Jack used a roque mallet, which just doesn't look as menacing as an axe...

One of the biggest controversies about the changes was the decision to change the sentient topiary animals into a hedge maze.  While part of this was probably due to the technical difficulty of making convincing animated/animatronic topiary animals, especially in a pre-CGI world where the only options would have been Harryhausen-style stop motion, puppets, or actors in suits (although The Empire Strikes Back was filmed at around the same time, and it made Yoda and the AT-AT walkers quite convincing using puppets and stop-motion), I think the maze worked better thematically with the visuals used to depict the hotel itself as a maze-like environment, with its distinctly labyrinthine carpet pattern and long hallways.

 I think another factor that inadvertently made me a defender of the Kubrick adaptation was that I got into Kubrick before I got into King, so I saw the film first and then read the book; one unintended consequence of doing so was that it raised my expectations of the book to frankly unattainable heights.  In the discussions of the book vs. the movie that I read, King fans seemed to praise the book as some kind of transcendent masterpiece that the film absolutely butchered, so when I did read the book I was let down somewhat by the fact that it was (to me at least) a very good but still flawed book rather than the magnum opus it was hyped as.

Some other thoughts and observations on the two works:

• I think that a big part of why King hated the film so much was because the book was an extremely personal work for him, as he wrote it (in part) to deal with his own alcoholism and drug addictions, so I think that had Kubrick adapted a different one of King's works and changed it in a similar manner King probably wouldn't have objected to the same extent
• Of the 4 films Kubrick made between 1971 and 1987, The Shining is the only one that doesn't have any kind of narration; A Clockwork Orange and Full Metal Jacket both had voice-overs of the main protagonist (often quoting the books verbatim), while Barry Lyndon had a third-person omniscient narration (compared to the book's use of a self-serving first-person narrator with the occasional editorial note)
• Another change I liked was making the nature of the Overlook Hotel's haunting ambiguous for much of the film, up until the ghost of Grady unlocks the pantry door; before then, the audience is left to wonder about how much the possibility is that the hotel is haunted, and how much is it the effects of the isolation of being alone in a place that manages to be both claustrophobic and agoraphobic at the same time.  Another factor lending credence to the idea that the ghosts are all in Jack's head is that whenever he interacts with a ghost before the pantry scene, there's a mirror present, and the first ghost Jack talks to is wearing a maroon jacket that's the same color as Jack's jacket:
  
  
  
  
  
• If Jack used a roque mallet like in the book, it would have been a lot less menacing, and a lot more looney tunes-like for me; when he hit someone with that mallet, my first thought probably would have been something like "Are there now going to be stars or birds circling around the victim's head, or is a comically large lump and "NO SALE" sign going to stick out of the top of their head?"
• One of the criticisms I've heard about Jack Nicholson's portrayal is that he's crazy from the start rather than starting out good and then descending into madness, but in the compressed timeline of the film I feel that this was necessary (plus, when he does finally snap, he's appropriately menacing)